There was a “i wa fu e” that I was given from my father, and it was a family treasure that has been passed down to the Suzuki family for generations. In Japan’s Jomon period, which lasted for about 13,000 years from now to 2500 years ago, according to archiological “i wa fu e” (stone flutes) samples may suggest that there have been a festival of blowing natural stones with holes. I’ve found it difficult to carry the heavy iron ON-KI so I have stored them, but I’m grateful that TakuRoku made these ON-KI see the sun again. These groups of ANALAPOS let me play across the field of improvisation from contemporary music. I also played with Steve Lacy, and more recently John Butcher and Aki Onda using these ON-KI. In the 1980s, my ANALAPOS was invited to Derek Bailey’s “Company” of Free improvisation, and was able to presented for the first time in London.
This instrument was used in the LP “ New Sense of Hearing” with Takehisa Kosugi, and in Sesshu Kai work “Interactivity for ANALAPOS.” It was also used in compositions by Aki Takahashi and for Toru Takemitsu’s film music… There was a time ANALAPOS was very active.ĪNALAPOS -a is mainly played by blowing a vice into one of the cylinders connected by a spring, while the -b type is made into a percussive instrument by arranging several of those cylinders upright and playing with drumsticks.
This ON-KI (sound instrument) is a variation of Voice ANALAPOS-a, an instrument which was created in 1970 while exploring the sound of echo at the “self-study event” of the 1960s. Oliver Barrett - mastering & artwork design For this beautiful and beguiling release for Takuroku, he presents new work using his ANAPOLAS instrument and “I wa fu e” stone flute.Īkio Suzuki - all instrumentation & recording
0 kommentar(er)
